Canadian photographer,Michael Chrisman, once set up his pinhole camera on a Toronto dock and set about producing a one year long (
31,536,000 seconds) exposure of the city's skyline. I'll say that again using only the key words: Michael Chrisman, Toronto.
One Year Long Exposure. I could say it a thousand times, in different accents and tones of voice, and it would still prove hard to believe. I could say it quietly in the middle of the night, or I could whisper it gently into your ear. How ever I say it, it will always sound impressive.
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This is the picture in question. Chrisman used photosensitive paper inside his pinhole camera. Chrisman comments:
“trails left by the sun as it moves through the sky
both throughout the day and as the seasons change” (1)
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Looking at his work, Chrisman specialises in such ridiculously long exposures. In Autumn 2011, he created a series of images that were all exposed for 1000 hours. Two of these are below.
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Harbour.
This type of photography really does stretch the art to its limits. When playing with such a long time frame, it is possible to see the more intricate elements of light, just as the movement of the sun was recorded in his one year long exposure. |
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Electric.
Doesn't really do it for me this. Think it lacks the dreaminess prominent in the other two. |
Apparently this was only a sideline and a experiment for Chrisman. His usual work tends to be the type of stylishly vacant urban scenes that have me drooling.
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Your Journey Will be Worth the Effort.
This is typical of Chrisman's usual work: wide angle environmental design. |
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